Small Hours – Shoe Box
Small Hours is the newly minted duo of Londoners Alex Mill and Alex Patten, but with their debut single it’s as if the two have been partners in melodic music-making […]
For Your Weekend…
Like any busy music blog, Digital High’s inbox gets hit up with submissions ranging from the ridiculous to the ridiculously good, that this one dude can’t possibly keep up with. […]
Don Diablo ft. Ansel Elgort – Believe
It’s safe to say that 2018 has been Don Diablo’s year. The powerhouse producer released his first album in ten years to ample acclaim, embarked on a whirlwind tour in […]
Kieran Mercer – Anarchy
It’s total anarchy, out here in the streets That’s the sentiment shared by Kieran Mercer’s on his latest cut “Anarchy” and I’ll be damned if the Canadian soloist hasn’t tapped […]
KYLE ft. Kehlani – Playinwitme
It’s a double dose of dissatisfaction as KYLE and Kehlani team up to take on two time-wasting wooers on “Playinwitme.” A second piece of 2018 freshness from everyone’s favorite lispy […]
Cheat Codes X Danny Quest – NSFW
After successful collaborations with Demi Lovato and Fetty Wap, current pop darlings Cheat Codes take a break from the sound du jour to drop a certified G house banger. A […]
Pete Philly – Favorite Song
With hues of brassy jazz woven into an electronic R&B tapestry, Dutch soloist Pete Philly delivers the goods on his befittingly titled “Favorite Song.” An upbeat groover given over to […]
For Your Weekend…
Like any busy music blog, Digital High’s inbox gets hit up with submissions ranging from the ridiculous to the ridiculously good, that this one dude can’t possibly keep up with. […]
Lil Dicky ft. Chris Brown – Freaky Friday
Forget Dave Chappelle, Tiffany Haddish, or John Mulaney, my money is behind Lil Dicky as the funniest comic out there right now. Ok that sentiment might be a bit inflated, […]
Duke Dumont ft. Ebenezer – Inhale
Spring may not officially start until next week, but the warm up vibes are already starting to spread with the release of Duke Dumont’s latest “Inhale.” Premiered as Annie Mac’s […]
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